![]() It begins with Patty awaiting her execution and, after Christians also awaiting execution ask her how she got there, she begins to tell the story and a flashback commences. In A Distant Thunder, the story of Patty is told in a flashback, which itself includes flashbacks. Traumatized and distraught, Patty realizes that the Rapture has indeed occurred and that she has been left behind. Horrified, Patty frantically searches for her husband only to find him missing too. Her relief is short-lived when the radio announces that millions of people have disappeared. Patty then awakens in bed and realizes that all she had experienced was only a dream. She escapes but is cornered by UNITE on top of a dam and falls to her death. She desperately tries to avoid the law and the Mark but is captured by UNITE. Patty is conflicted and refuses to trust Jesus as her savior but also refuses to take the Mark. The United Nations establishes an emergency government system called the United Nations Imperium of Total Emergency (UNITE), and those who do not receive the Mark of the beast identifying them with UNITE are arrested. Gradually, Patty realizes that the Rapture has happened. One morning, she awakens to find that her husband and millions of others have suddenly disappeared. She refuses to believe the warnings of her friends and family that she will go through the Great Tribulation if she does not accept Jesus as her savior. Patty Myers is a young woman who considers herself a Christian because she occasionally reads her Bible and goes to church regularly, although her pastor is really an unbeliever. Interspersed throughout the four films are many presentations of the Christian gospel. The series focuses on the difficulties of those who miss out on the Rapture by having not trusted Jesus as savior and thus find themselves in the Tribulation. Three additional films were planned but never produced. It consists of four films: A Thief in the Night (1972), A Distant Thunder (1978), Image of the Beast (1981), and The Prodigal Planet (1983). JSTOR ( January 2018) ( Learn how and when to remove this template message)Ī Thief in the Night is an evangelical Christian film series about the Rapture and the Tribulation. ![]() Unsourced material may be challenged and removed.įind sources: "A Thief in the Night" film series – news Please help improve this article by adding citations to reliable sources. As such, I am prepared to upgrade it to the second film I would watch on a long-haul flight.This article needs additional citations for verification. Short of an extended dance interlude, Shotgun Wedding has everything you could possibly want from a Jennifer Lopez vehicle. But my favourite type of Lopez movie, even though I didn’t know it until right this second, is the one where she embarks on a crazed First Blood-style murder rampage through a jungle in a wedding dress. Some might even like her for her dutiful custody of the entire romcom genre. Some prefer the imperious glamour of Hustlers. Some prefer the earlier, critically acclaimed work, like Selena and Out of Sight. Look, everyone has their own favourite type of Lopez film. Is it the most abrupt about-face in all of movie trailer history? No, because that plaudit still belongs to Spies in Disguise, the 2019 animated espionage movie where Will Smith inexplicably becomes a pigeon halfway through. One moment it’s a syrupy wedding film, the next it’s a mid-90s Steven Seagal flick. The best thing about the Shotgun Wedding trailer is how abrupt the change of direction is. Either way, though, Shotgun Wedding has two thumbs up all over it. I haven’t seen the full movie, so this is only a guess, but you have to assume that the final shot of the film is Lopez and Duhamel sitting in stunned silence together, trying and failing to grapple with the atrocities that they have committed, in the knowledge that they will have to spend the rest of their lives seeing the faces of all their victims beg for mercy whenever they close their eyes. ![]() At the end of the trailer, it is heavily implied that Lopez has decapitated someone with her wedding cake knife. Coolidge goes bananas with an assault rifle. They explode the bodies of some more with a hand grenade. They literally set fire to the heads of their attackers. Scared for their lives, Duhamel and Lopez piece together a survival plan. Mercenaries – led by a figure in a horrifying Slipknot mask – storm the wedding, firing machine guns into the air to terrify the guests. BAM! Some dock workers stab a wedding planner to death, each strike making a sickening wet thud as it lands in his torso.
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